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Phenomenalists tend to make use of the same sorts of features (function, intrinsic structure) in explaining some of the intuitive differences between thoughts and experiences; but they do not suppose that such features exhaust the differences between phenomenal and non-phenomenal representations. For the phenomenalism, it is the phenomenal properties of experiences - qualia themselves - that constitute the fundamental difference between experience and thought. Peacocke (1992), for example, develops the notion of a perceptual ‘scenario’ (an assignment of phenomenal properties to coordinates of a three-dimensional egocentric space), whose content is ‘correct’ (a semantic property) if in the corresponding ‘scene’ (the portion of the external world represented by the scenario) properties are distributed as their phenomenal analogues are in the scenario.

Another sort of representation championed by phenomenalists (e.g., Block, Chalmers (2003) and Loar (1996)) is the ‘phenomenal concept’ - a conceptual/phenomenal hybrid consisting of a phenomenological ‘sample’ (an image or an occurrent sensation) integrated with (or functioning as) a conceptual component. Phenomenal concepts are postulated to account for the apparent fact (among others) that, as McGinn (1991) puts it, ‘you cannot form [introspective] concepts of conscious properties unless you yourself instantiate those properties.’ One cannot have a phenomenal concept of a phenomenal property 'P', and, hence, phenomenal beliefs about P, without having experience of 'P', because 'P' itself is (in some way) constitutive of the concept of 'P'. (Jackson 1982, 1986 and Nagel 1974.)

Though imagery has played an important role in the history of philosophy of mind, the important contemporary literature on it is primarily psychological. In a series of psychological experiments done in the 1970s (summarized in Kosslyn 1980 and Shepard and Cooper 1982), subjects' response time in tasks involving mental manipulation and examination of presented figures was found to vary in proportion to the spatial properties (size, orientation, etc.) of the figures presented. The question of how these experimental results are to be explained has kindled a lively debate on the nature of imagery and imagination.

Kosslyn (1980) claims that the results suggest that the tasks were accomplished via the examination and manipulation of mental representations that themselves have spatial properties - i.e., pictorial representations, or images. Others, principally Pylyshyn (1979, 1981, 2003), argue that the empirical facts can be explained in terms exclusively of discursive, or propositional representations and cognitive processes defined over them. (Pylyshyn takes such representations to be sentences in a language of thought.)

The idea that pictorial representations are literally pictures in the head is not taken seriously by proponents of the pictorial view of imagery The claim is, rather, that mental images represent in a way that is relevantly like the way pictures represent. (Attention has been focussed on visual imagery - hence the designation ‘pictorial’; though of course there may imagery in other modalities - auditory, olfactory, etc. - as well.)